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• Two syncable oscillators plus a sub oscillator • Fully tuneable across a six octave range • Monophonic, Duophonic and Polyphonic modes • Sawtooth, Square, Sine & Variable pulse width waveforms • Ring modulator • Two resonant 24dB/octave lowpass filter modes • One 12dB/octave filter mode • Highpass filter • Vast Modulation options via additional XLFO and XADSRs • Dynamic control over filter cutoff and amplitude • Timed Morphing between presets within a preset bank. • Flying Slider feature • A=440Hz Reference tone • On-Board Delay • Spread and Random Pan Modes • Over 1000 Categorised Patches • Full automation support. Oddity2 is the successor to the multi-award winning Oddity, modelled on the legendary ARP Odyssey synthesiser, manufactured between 1972 and 1981.
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• Two syncable oscillators plus a sub oscillator • Fully tuneable across a six octave range • Monophonic, Duophonic and Polyphonic modes • Sawtooth, Square, Sine & Variable pulse width waveforms • Ring modulator • Two resonant 24dB/octave lowpass filter modes • One 12dB/octave filter mode • Highpass filter • Vast Modulation options via additional XLFO and XADSRs • Dynamic control over filter cutoff and amplitude • Timed Morphing between presets within a preset bank. • Flying Slider feature • A=440Hz Reference tone • On-Board Delay • Spread and Random Pan Modes • Over 1000 Categorised Patches • Full automation support. Oddity2 is the successor to the multi-award winning Oddity, modelled on the legendary ARP Odyssey synthesiser, manufactured between 1972 and 1981.
The multi-award winning Oddity is modeled on the classic ARP Odyssey synthesizer, manufactured between 1971 & 1981 and used by artists as diverse as Gary Numan, John Foxx, Herbie Hancock, Kraftwerk, Chick Corea, Roger Powell, George Duke, 808 State, Portishead and countless others. Its place in synth folklore is assured and very well-deserved, but due to the small numbers produced and the desirability of the instrument the chances of finding one in good working order nowadays for less than a king's ransom is slim. The Odyssey was seen as ARP's rival to the Minimoog but in truth there were sufficient differences between the two to negate this argument in these more enlightened times. Put simply, the Minimoog had three oscillators and the Odyssey had two - the Minimoog was monophonic and the Odyssesy was duophonic - the Minimoog had no dedicated ring modulator while the Odyssey did. More immediately striking was that the Minimoog had knobs and the Odyssey had sliders.
It also had a distinct operational architecture and because of this we've seen some people spend up to an hour trying to get it to make a sound. For this reason we decided on the name 'Oddity' for our labour of love.
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Furthermore, the Oddity has a unique Flying Slider feature whereby you can grab one or more sliders and throw them, recording their movements if desired. Of course, because The Oddity was created by Odyssey aficionados much of what gave the original instrument its character and functionality was built-in too. For example, the way the ring modulator and duophonic mode interact to create those classic sublime aggressive tones was carefully modeled, as was the effect the Lag Generator has on a keyboard triggered LFO. Don't think the Oddity is a piece of laboratory kit designed solely for geeks and mad scientists.
Everything from spiky and resonant textures to lush and warm pads sounds can either be programmed from Oddity2's intuitive controls or simply dialled up via the accompanying presets. Furthermore, via three filter modes and an additional oscillator, Oddity2 can sound as versatile and punchy as its main rival back in the day. Oddity2 doesn't stop there either, in order to overcome the original instrument's limitation of a single LFO, we've also added the ability to apply an additional LFO and ADSR to almost any of the main Oddity2 sliders, which gives the instrument almost unrivalled versatility and depth when it comes to sound design options. Additional improvements over its predecessor include an on-board delay, spread or random pan modes, patch morphing via beats or seconds, program change recognition and implementation of the two octave transpose switch for dynamic real-time performances. Put simply, Oddity2 further builds on the significance and lineage of the original hardware and software instruments, by taking its fundamental sonic character and, via a raft of carefully considered musical enhancements, transplants it into the hands of those musicians ready to take it to both familiar and new horizons. Legal Notice All product names used in this product are trademarks of their respective owners and are in no way associated or affiliated with GForce Software Ltd. These trademarks of other manufacturers are used solely to identify the products of those manufacturers whose tones and sounds were studied and or recorded during development of this product.
Simply pick a start patch, a morph-time and a destination patch, and the Oddity will output some amazing and inspirational sounds all of which can be recorded by your host sequencer for subsequent playback. Furthermore, the Oddity has a unique Flying Slider feature whereby you can grab one or more sliders and throw them, recording their movements if desired. Of course, because The Oddity was created by Odyssey aficionados much of what gave the original instrument its character and functionality was built-in too.
Sporting a new livery based on the final revision Odyssey, Oddity2 takes the character and operational architecture of the original and via a wave of enhancements, transports the spirit of the original into a new dimension. First up, while the duophonic and monophonic modes have been retained, Oddity2 now also offers a monophonic legato mode which wasn't evident on the Odyssey, plus a POLYPHONIC MODE. Yes, now finally it's possible to stop wondering what the Odyssey's classic tones would sound like within the context of chord based structures, and put it into practice.